“There are more important things than saving men’s bodies. You think that, don’t you?” he asked. They talked for a time about domestic matters. Joan had established herself in furnished rooms in a quiet street of pleasant Georgian houses just behind the Abbey; a member of Parliament and his wife occupied the lower floors, the landlord, a retired butler, and his wife, an excellent cook, confining themselves to the basement and the attics. The remaining floor was tenanted by a shy young man—a poet, so the landlady thought, but was not sure. Anyhow he had long hair, lived with a pipe in his mouth, and burned his lamp long into the night. Joan had omitted to ask his name. She made a note to do so.!

“Nothing like as dangerous as being in the Infantry,” he answered. “And that would be my only other alternative. Besides I get out of the drilling.” He laughed. “I should hate being shouted at and ordered about by a husky old sergeant.” The village consisted of one long straggling street, following the course of a small stream between two lines of hills. It was on one of the great lines of communication: and troops and war material passed through it, going and coming, in almost endless procession. It served also as a camp of rest. Companies from the trenches would arrive there, generally towards the evening, weary, listless, dull-eyed, many of them staggering like over-driven cattle beneath their mass of burdens. They would fling their accoutrements from them and stand in silent groups till the sergeants and corporals returned to lead them to the barns and out-houses that had been assigned to them, the houses still habitable being mostly reserved for the officers. Like those of most French villages, they were drab, plaster-covered buildings without gardens; but some of them were covered with vines, hiding their ugliness; and the village as a whole, with its groups, here and there, of fine sycamore trees and its great stone fountain in the centre, was picturesque enough. It had twice changed hands, and a part of it was in ruins. From one or two of the more solidly built houses merely the front had fallen, leaving the rooms just as they had always been: the furniture in its accustomed place, the pictures on the walls. They suggested doll’s houses standing open. One wondered when the giant child would come along and close them up. The iron spire of the little church had been hit twice. It stood above the village, twisted into the form of a note of interrogation. In the churchyard many of the graves had been ripped open. Bones and skulls lay scattered about among the shattered tombstones. But, save for a couple of holes in the roof, the body was still intact, and every afternoon a faint, timid-sounding bell called a few villagers and a sprinkling of soldiers to Mass. Most of the inhabitants had fled, but the farmers and shopkeepers had remained. At intervals, the German batteries, searching round with apparent aimlessness, would drop a score or so of shells about the neighbourhood; but the peasant, with an indifference that was almost animal, would still follow his ox-drawn plough; the old, bent crone, muttering curses, still ply the hoe. The proprietors of the tiny épiceries must have been rapidly making their fortunes, considering the prices that they charged the unfortunate poilu, dreaming of some small luxury out of his five sous a day. But as one of them, a stout, smiling lady, explained to Joan, with a gesture: “It is not often that one has a war.”

Could we ever hope to eradicate it? Was not the survival of this fighting instinct proof that war was still needful to us? In the sculpture-room of an exhibition she came upon a painted statue of Bellona. Its grotesqueness shocked her at first sight, the red streaming hair, the wild eyes filled with fury, the wide open mouth—one could almost hear it screaming—the white uplifted arms with outstretched hands! Appalling! Terrible! And yet, as she gazed at it, gradually the thing grew curiously real to her. She seemed to hear the gathering of the chariots, the neighing of the horses, the hurrying of many feet, the sound of an armouring multitude, the shouting, and the braying of the trumpets. “I owe to her all the charity and tenderness I know. She taught it to me in those months. I might have learned more if I had let her go on teaching. It was the only way she knew.” Returning to the interior, Joan had duly admired the Cheyne monument, but had been unable to disguise her amusement before the tomb of Mrs. Colvile, whom the sculptor had represented as a somewhat impatient lady, refusing to await the day of resurrection, but pushing through her coffin and starting for Heaven in her grave-clothes. Pausing in front of the Dacre monument, Joan wondered if the actor of that name, who had committed suicide in Australia, and whose London address she remembered had been Dacre House just round the corner, was descended from the family; thinking that, if so, it would give an up-to-date touch to the article. She had fully decided now to write it. But Mary Stopperton could not inform her. They had ended up in the chapel of Sir Thomas More. He, too, had “given up things,” including his head. Though Mary Stopperton, siding with Father Morris, was convinced he had now got it back, and that with the remainder of his bones it rested in the tomb before them.